👤Author Name: Loredana Opăriuc 📄Article Citation Recommendation: OPĂRIUC, Loredana. „Geo Bogza – lecţia de libertate şi poetica exasperării”. In: RITL, New Series, II, No. 1-2, January-June 2008, p. 29-36Titlul: GEO BOGZA – LECŢIA DE LIBERTATE ŞI POETICA EXASPERĂRIITitle: GEO BOGZA, THE LESSON OF FREEDOM AND THE POETICS OF DESPAIRPages: 29-36Language: RomanianURL: https://ritl.ro/pdf/2008/1-2/3_L_Opariuc.pdf Abstract: Geo Bogza is one of the well-known representatives of the Romanian avant-garde and one of the unavoidable names during the second half of the 20th century, covering different types of literary languages. His works contain, as a common feature, the idea of real freedom, not an imagined one, a poet, or a writer in general, being, in his view, necessarily free from society rules, literary conventions, prejudices and other restrictive laws. His articles, as well as his poems and prose, proclaim the literature which serves the human being, against not only traditional canons but also modern formalism. The craft of writing is no longer considered a heavenly gift, on the contrary is seen as the only way to escape from a tight reality in order to make it better, the obsessive metaphor of the “yellow maid” describing this larger and prolific poetic reality. That is why almost…

👤Author Name: Acad. Dan Grigorescu 📄Article Citation Recommendation: GRIGORESCU, Dan. „Criza iconologiei”. In: RITL, New Series, II, No. 1-2, January-June 2008, p. 9-28Titlul: CRIZA ICONOLOGIEI?Title: THE CRISIS OF ICONOLOGY?Pages: 9-28Language: RomanianURL: https://ritl.ro/pdf/2008/1-2/2_D_Grigorescu.pdf

👤Author Name: Eugen Simion 📄Article Citation Recommendation: SIMION, Eugen. „Dan Grigorescu”. In: RITL, New Series, II, No. 1-2, January-June 2008, p. 7-8Titlul: DAN GRIGORESCUTitre: IN MEMORIAM: ACAD. DAN GRIGORESCUPages: 7-8Language: RomanianURL: https://ritl.ro/pdf/2008/1-2/1_E_Simion.pdf Résumé: Eugen Simion fait l’éloge de celui qui a été Dan Grigorescu, professeur universitaire à la Faculté de Lettres, intellectuel achevé et homme extraordinaire, qui valait surtout l’amitié et qui savait être également un grand ami.

👤Author Name: Cristina Balinte 📄Article Citation Recommendation: BALINTE, Cristina. „Cronica Institutului: evenimentele ştiinţifice desfăşurate în Institutul de Istorie şi Teorie Literară „G. Călinescu” în prima parte a anului academic 2008”. In: RITL, New Series, II, No. 1-2, July-December 2008, p. 231-233Titlul: CRONICA INSTITUTULUI: EVENIMENTELE ŞTIINŢIFICE DESFĂŞURATE ÎN INSTITUTUL DE ISTORIE ŞI TEORIE LITERARĂ „G. CĂLINESCU” ÎN PRIMA PARTE A ANULUI ACADEMIC 2008Title: THE CHRONICLE OF THE INSTITUTEPages: 231-233Language: RomanianURL: https://ritl.ro/pdf/2008/1-2/16_Miscellanea _- _C_Balinte.pdf

👤Author Name: Grațiela Benga 📄Article Citation Recommendation: BENGA, Grațiela. „Proiecții (inter) textuale în opera lui Mircea Eliade”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 11-29Titlul: PROIECȚII (INTER) TEXTUALE ÎN OPERA LUI MIRCEA ELIADETitle: (INTER)TEXTUAL PROJECTIONS IN MIRCEA ELIAD’S WORKPages: 11-29Language: RomanianURL: https://ritl.ro/pdf/2007/2_G_Benga.pdf Abstract: The text is focused on some of the deep connections between fiction and journalism in Mircea Eliade’s work. We were interested both in Eliade’s literature (written after the World War II) and in the articles he published in magazines during his French and American exile. This face-to-face approach revealed an elementary parallelism, consisting of some common aspects: flexible sketches (like the terror of history), actions (the creation, the flight from reality / history), agents (the scholar, the victim, the tyrant etc.), frames (the labyrinth, the Centre and periphery). After decoding the way in which all these elements evolve in Mircea Eliade’s work, it is easy to notice the Balkan complex that has fertilized two important directions: the denial of history and the denunciation of the great cultures’ limits. While the articles give us the axiom, Eliade’s fiction tends to be demonstrative. Even if the textual rhetoric is different, Mircea Eliade’s work shows us that…

👤Author Name: Eugen SimionAffiliation: Academia Română, preşedintele Secţiei de filologie şi literatură, directorul Institutului de Istorie şi Teorie Literară „G. Călinescu”Contact: eugensimion@fnsa.ro 📄Article Citation Recommendation: SIMION, Eugen. „Reîncepem…”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 7-9Titlul: REÎNCEPEM…Title: RESTARTING…Pages: 7-9Language: RomanianURL: https://ritl.ro/pdf/2007/1_ E_Simion.pdf

👤Author Name: Cristina Balinte 📄Article Citation Recommendation: BALINTE, Cristina. „Evenimente stiintifice desfasurate în Institutul de Istorie și Teorie Literară «G. Călinescu», în anul academic 2006-2007”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 371-375Titlul: EVENIMENTE STIINTIFICE DESFASURATE ÎN INSTITUTUL DE ISTORIE ȘI TEORIE LITERARĂ «G. CĂLINESCU», ÎN ANUL ACADEMIC 2006-2007Title: SCIENTIFIC EVENTS DEVELOPED AT THE ,,G. CALINESCU“ LITERARY HISTORY AND THEORY INSTITUTE DURING THE ACADEMICPages: 371-375Language: RomanianURL: https://ritl.ro/pdf/2007/25_C_Balinte.pdf

👤Author Name: Ileana Mihăilă 📄Article Citation Recommendation: MIHĂILĂ, Ileana. „Presences Roumaines au XIl-e Congres International des Lumieres (8-15 juillet 2007, Montpellier, France)”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 369-370Titre: PRESENCES ROUMAINES AU XIl-e CONGRES INTERNATIONAL DES LUMIERES (8-15 JUILLET 2007, MONTPELLIER, FRANCE)Pages: 369-370Language: FrenchURL: https://ritl.ro/pdf/2007/24_I_Mihaila.pdf

👤Author Name: Dan Horia Mazilu 📄Article Citation Recommendation: MAZILU, Dan Horia. „Enciclopedia literaturii române vechi”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 359-367Titlul: ENCICLOPEDIA LITERATURII ROMÂNE VECHITitle: OLD ROMANIAN LITERATURE ENCYCLOPEDIA PROJECTPages: 359-367Language: RomanianURL: https://ritl.ro/pdf/2007/23_D_H_Mazilu.pdf Bibliography: Adrian Marino, Dicţionar de idei literare, vol. I, Bucureşti, Editura Eminescu, 1973, p. 225-253; Doina Curticăpeanu, Orizonturile vieţii în literatura veche românească, Bucureşti, Editura Minerva, p. 123-180; Dan Horia Mazilu, Barocul în literatura română din secolul al XVII-lea, Bucureşti, Editura Minerva, 1976; Edgar Papu, Barocul ca tip de existenţă, vol. I-II, Bucureşti, Editura Minerva, 1977; „Revista de istorie şi teorie literară“, XXVI, 1978, nr. 1 (dezbatere pe această temă); Alexandru Duţu, Modele, imagini, privelişti, Cluj[1]Napoca, Editura Dacia, 1979; Mircea Popa, Tectonica genurilor literare, București, Editura Cartea românească, 1980, Ion Istrate, Barocul literar românesc, Bucureşti, Editura Minerva, 1982; Alexandru Duţu, Umanisme, Baroque, Lumiéres. L’example roumain, Bucureşti, Editura ştiinţifică şi enciclopedică, 1984; „Cahiers roumains d’études littéraires“, 1986, nr. 4 (dezbatere consacrată acestei chestiuni; semnează: Al. Duţu, Edgar Papu, Tudor Păcurariu, Mihai Zamfir. Dan Horia Mazilu, Romul Munteanu, Cornel Mihai Ionescu, Dolores Toma, Dim. Păcurariu, Ileana Mihăilă); Catalina Velculescu, Elemente de baroc, în Între scriere şi oralitate, Bucureşti, 1988, p. 76-95; Dan Horia Mazilu,…

👤Author Name: Carmen-Nicola Jumara 📄Article Citation Recommendation: JUMARA, Carmen-Nicola. „O perspectivă inedită asupra romanului latin”. In: RITL, New Series, XLIV, No. 1-4, January-December 2007, p. 341-357Titlul: O PERSPECTIVĂ INEDITĂ ASUPRA ROMANULUI LATINTitle: A NEW PERSPECTIVE OVER THE LATIN NOVELPages: 341-357Language: RomanianURL: https://ritl.ro/pdf/2007/22_C_N_ Jumara.pdf Abstract: Considering that prose works cannot be studied on a chronological basis and that we cannot have a view of the flow of time, E. M. Forster provides a new image, a study method more appropriate for the human possibilities; it’s the image of all the novel writers writing their novels in the same time. The writer has to face different difficulties in his endeavours of creating a convincing work of art, and the means he uses are mostly instinctive and don’t always coincide with the methods the critics adopt. Two of these means are identified by Forster: using more types of characters and the author’s point of view. He suggests the classifying of the characters in two types: flat and round, or linear and complex. We are tempted to take the protagonist of the Satyricon as a flat character due to the fact that he is only the subject of non-essential transformations — they are only…