👤Author Name: Ileana MihăilăAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: MIHĂILĂ, Ileana.  „Mihail Eminescu, Dora d’Istria şi visul lui Osman”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 347-356.Titlul: MIHAIL EMINESCU, DORA D’ISTRIA ŞI VISUL LUI OSMANTitre: MIHAIL EMINESCU, DORA D’ISTRIA ET LE RÊVE D’OSMANPages: 347-356Language: RomanianURL: https://ritl.ro/pdf/2014/22_I_Mihaila.pdf Résumé: L’article apporte quelques nouvelles informations concernant la genèse de la première partie du poème de Mihaïl Eminescu, Scrisoarea III [Troisième Lettre], en l’occurrence la rédaction personnelle du célèbre poème médiéval turc Le Rêve d’Osman (XIIIe siècle), qu’il choisit comme ouverture de sa création poétique à structure polyphonique. Si, depuis le début du XXe siècle, la critique roumaine a identifié comme source première d’Eminescu la relation du baron Joseph Freiherr von Hammer-Purgstall sur ce poème, intégré dans son ouvrage Geschichte des osmanischen Reiches (10 vols., 1827–1835), dont, selon les recherches de Perpessicius, Eminescu avait entrepris la traduction de la première partie, en revanche personne n’a observé certains détails non dépourvus d’intérêt qui rapproche la version d’Eminescu de la présentation du même poème par Dora d’Istria dans son ouvrage La poésie des ottomans (Paris, Maisonneuve, 1877, publié antérieurement dans la Revue des Deux…

👤Author Name: Oana SoareAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: SOARE, Oana. „Vasile Alecsandri, esprit antimoderne?”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. (317-333).Titre: VASILE ALECSANDRI, ESPRIT ANTIMODERNE?Title: VASILE ALECSANDRI, AN ANTI-MODERNIST SPIRIT?Pages: 317-333Language: FrenchURL: https://ritl.ro/pdf/2014/20_O_Soare.pdf Résumé: Alecsandri, qui n´utilise presque jamais la notion de «moderne», pourrait-il être considéré un esprit antimoderne? Dans cet article on se propose de présenter le cas spécial de cet écrivain du XIXe siècle, un enfant déçu de la Révolution de 1848 qui se venge de ses effets dans son théâtre et dans sa correspondance Mots-clés: antimoderne, Révolution, théâtre, correspondance. Bibliography: Alecsandri, Vasile, Opere [Œuvres], v. V–X, textes, notes et variantes établis par Georgeta Rădulescu-Dulgheru, Ed. Minerva, 1970–1989. Compagnon, Antoine, Les antimodernes. De Joseph de Maistre à Roland Barthes, Gallimard, 2005. George Călinescu, Istoria literaturii române de la origini până în prezent [Histoire de la littérature roumaine dès origines à nos jours], Editura Fundaţiilor Regale, 1941.  Mihai Eminescu, Scrieri de critică teatrală [Ecrits critiques concernant le théâtre], Cluj, Ed. Dacia, 1972.

👤Author Name: Oana SaftaAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române. 📄Article Citation Recommendation: SAFTA, Oana. „Nuanţele tipologiilor umane în proza scurtă a lui Marin Preda, Nicolae Velea şi George Bălăiţă”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 303-316.Titlul: NUANŢELE TIPOLOGIILOR UMANE ÎN PROZA SCURTĂ A LUI MARIN PREDA, NICOLAE VELEA ŞI GEORGE BĂLĂIŢĂTitre: LES NUANCES DES TYPOLOGIES HUMAINES, DANS LES RÉCITS BREFS DE MARIN PREDA, NICOLAE VELEA ET GEORGE BĂLĂIŢĂPages: 303-316Language: RomanianURL: https://ritl.ro/pdf/2014/19_O_Safta.pdf Résumé: L’étude qui suit tente à identifier des points de convergence entre la prose courte de Marin Preda, Nicolae Velea et George Bălăiţă, concernant la thématique, les prototypes humains, les techniques narratives etc. D’une influence marquante pour la narration à dimensions restreintes de l’ainsi dite génération ’60, le tome de Preda – Întâlnirea din pământuri – enregistre un progrès en synchronie (par rapport aux créations de la cinquième décennie) et en diachronie, dépassant l’horizon limité, la thématique et les moyens artistiques redundants qui caractérisaient les courants littéraires de la fin du XIXe siècle et du début du vingtième. Le moment Preda sera considéré par la critique littéraire l’un révolutionnaire grâce à la modalité de percevoir le paysan, ainsi que…

👤Author Name: Cristina Rotaru 📄Article Citation Recommendation: ROTARU, Cristina. „Tipologii feminine în dramaturgia lui Romulus Guga”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 293-301.Titlul: TIPOLOGII FEMININE ÎN DRAMATURGIA LUI ROMULUS GUGATitle: FEMININE TYPOLOGIES IN THE PLAYS OF ROMULUS GUGA Pages: 293-301Language: RomanianURL: https://ritl.ro/pdf/2014/18_C_Rotaru.pdf Abstract: The analytical approach, focusing on the plays of Romulus Guga, aims to make a constructive distinction between the male and female discourse, not mainly for gender-specific reasons, but in order to identify a dramatic vision in which the female character plays the role of outlet for feelings of frustration, rebellion or obedience, that can be reproached not to feminine stances which became roles, but to the authorial consciousness. The identified typologies are designed archetypally and therefore I looked for their roots in theatrical solutions that stem from the Greek Antiquity, going through the Commedia Dell’arte and connect to the expressionist model of character development. Masks of the ego, female characters, all these are tuning forks that allow the voice deep down to take the shape of the word, designed as a poetic message and sent from the creator to the audience with whom it cohabitates in a moral ambiguity that is specific to…

👤Author Name: Gabriela DanțișAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: DANȚIȘ, Gabriela. „Un scriitor puţin cunoscut: I. Igiroșianu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 285-291.Titlul: UN SCRIITOR PUŢIN CUNOSCUT: I. IGIROȘIANUTitre: UN ÉCRIVAIN PEU CONNU: I. IGIROȘEANUPages: 285-291Language: RomanianURL: https://ritl.ro/pdf/2014/17_G_Dantis.pdf Résumé: L’article met en valeur l’activité de l’écrivain I. Igiroșianu, prosateur, excellent mémorialiste et traducteur. De lui a resté le « roman à tiroir » Firul Ariadnei (Le fil d’Ariadne), publié seulement en 1993 (couronné avec le Prix « Lucian Blaga » de l’Académie Roumaine en 1996), l’action duquel a lieu dans le monde diplomatique, dans l’ambiance de la période de l’entre deux-guerres au Palais des Nations de Genève, nommé ailleurs le « Palais d’Ariadne ». On peut lire supplémentairement les deux volumes de ses mémoires, Clepsidra amurgului. Evocări marginale (La clepsydre du crépuscule. Évocations marginales) (1976) et Fărâme de la un festin (Miettes d’un festin) (1991), riche galerie de personnages que l’auteur a connue, parmi les plus importants du dernier siècle: Nicolae Titulescu, Marthe Bibesco et son cousin, le prince Antoine Bibesco, ses amis Henry de Montherlant et Paul Claudel, Marie Kasterska-Sergescu et plusieurs d’autres. La perspective…

👤Author Name: Alexandru FarcașAffiliation: Institutul de Istorie şi Teorie Literară ,,G. Călinescu” al Academiei Române 📄Article Citation Recommendation: FARCAȘ, Alexandru. „Mahala și periferie în romanul interbelic”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 271-283.Titlul: MAHALA ȘI PERIFERIE ÎN ROMANUL INTERBELICTitle: SLUM AND PERIPHERY IN THE INTERWAR NOVELPages: 271-283Language: RomanianURL: https://ritl.ro/pdf/2014/16_A_Farcas.pdf Abstract: The article is focused on the theoretical distinguo between “slum” and “periphery”, as well as on the representations of these socio-cultural concepts in the Romanian interwar fiction. On the one hand, we should keep in mind that, since the end of the 19th c., the “slum” is imagined both psychologically, as a state of mind, and geo-sociologically, as an earlier stage in the development of Bucharest’s suburban areas. Following in I.L. Caragiale’s footsteps, the “slum” was depicted by such novelists as Mihai Celerianu, Damian Stănoiu, or Gib Mihăescu. On the other hand, the “periphery” represents a space newly created due to the expansion of the city, during industrialization. The social report was the non-literary genre which informed the realist fiction depicting this space and its specific social issues. George Mihail Zamfirescu, Carol Ardeleanu or Constantin Barcaroiu were the most significant novelists who dealt with this topos….

👤Author Name: Daniela MoldoveanuAffiliation: Universitatea „Lucian Blaga” din Sibiu 📄Article Citation Recommendation: MOLDOVEANU, Daniela. „Evanghelia apocrifă a Martei Petreu: identităţi elective – corporalitate afectivă”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 255-269.Titlul: EVANGHELIA APOCRIFĂ A MARTEI PETREU: IDENTITĂŢI ELECTIVE – CORPORALITATE AFECTIVĂTitle: THE APOCRYPHAL GOSPEL OF MARTA PETREU: ELECTIVE IDENTITIES – AFFECTIVE CORPORALITYPages: 255-269Language: RomanianURL: https://ritl.ro/pdf/2014/15_D_Moldoveanu.pdf Abstract: The poetic imagery of Marta Petreu’s overcrowds the world of her verse with death visions and captures and, at the same time, points out to second degree, intellectualized states of mind which are meant not to reveal the pure emotion of the poet, but represent the processing of this emotion into the melting pot-brain of the poem. Her poems intend to be both authentic and concept-based. Desperation, fury, curses, physical and psychological pain, obsession, hysteria, all of these represent the state of mind the reader adopts. And this happens mainly because Marta Petreu proves to be a skilled, self-centered orchestrator of inner degradation. The concept is Marta Petreu’s ontological space where she isolates herself looking for semantic and linguistic uniqueness among other feminine Romanian voices of her generation. For her, even the ever searched for, analyzed, classified love remains deeply…

👤Author Name: Raluca DunăAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: DUNĂ, Raluca. „Imaginaţie, memorie, (re)lectură, în opera lui Matei Călinescu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 247-253Titlul: IMAGINAŢIE, MEMORIE, (RE)LECTURĂ, ÎN OPERA LUI MATEI CĂLINESCUTitle: IMAGINATION, MEMORY, (RE)READING, IN THE WORKS OF MATEI CĂLINESCUPages: 247-253Language: RomanianURL: https://ritl.ro/pdf/2014/14_R_Duna.pdf Abstract: This article explores the very diverse works of the Romanian critic, poet and novelist Matei Călinescu, focusing on the importance of the author’s imagination, conceived as a major principle in his critical or artistic writing. The autobiographical project that encompasses his whole work is governed by this creative principle, whose importance seems to have been recognized first by the great Romanian exile Mircea Eliade, who is seen in this article as a kind of a paternal and mythical figure for the Romanian exile. The return to the maternal language and to fiction is perceived, in this sense, as the return to a Romanian paradoxical identity. The article describes the relationship between critical interpretation, personal memory and bookish imagination, analyzing a few fragments from the Romanian edition of the volume (Re)reading. Keywords: imagination, memory, (re)reading, autobiographical project, cultural identity.

👤Author Name: Simona GalațchiAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: GALAȚCHI, Simona. „Fața nevăzută a Elenei Drăgănescu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 221-245Titlul: FAȚA NEVĂZUTĂ A ELENEI DRĂGĂNESCUTitle: THE UNKNOWN FACE OF ELENA DRĂGĂNESCU Pages: 221-245Language: RomanianURL: https://ritl.ro/pdf/2014/13_S_Galatchi.pdf Abstract: This article sets out to reveal unseen, so far, aspects of a highly appreciated character of Hortensia Papadat-Bengescu, Elena Drăgănescu. The unexpected angles of this character are brought up to the surface by the means of the psychoanalytical method applied on the facts that appear all along the Hallipa’s Cycle novels and in the novel The Stranger. The article is structured in two sections: the first section introduces readers to the story of Elena Drăgănescu such as it is perceived by other characters and by the writer herself; the second section diagnoses this character and draws conclusions on her psychological complexes, on her ranging in the typology of C. G. Jung and Otto Rank while analyzing her drives based on Sigmund Freud’s, Alfred Adler’s and Jacques Lacan’s psychoanalytical visions. Keywords (translated): Elena Drăgănescu, Hortensia Papadat-Bengescu, Hallipa’s Cycle, psychoanalysis, analytical psychology, psychological complexes. Bibliography: Papadat-Bengescu, Hortensia, Opere, vol. I,…

👤Author Name: Teodora DumitruAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române. 📄Article Citation Recommendation: DUMITRU, Teodora. ”Sistema genurilor după Liviu Rusu. Mizele unei «priviri istorice»”.In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 195-220.Titlul: SISTEMA GENURILOR DUPĂ LIVIU RUSU. MIZELE UNEI „PRIVIRI ISTORICE”Titre: LE SYSTÈME DES GENRES, SELON LIVIU RUSU. LES ENJEUX D’UN « REGARD HISTORIQUE »Mots-clés: genres littéraires, généricité, lyrisme, épopée, drame, Liviu Rusu, Goethe, Hegel, Benedetto Croce, Gérard Genette.Pages: 195-220Language: RomanianURL: https://ritl.ro/pdf/2014/12_T_Dumitru.pdf Résumé: Cet essai porte sur la démarche historiographique par laquelle l’esthéticien Liviu Rusu, dans le premier chapitre de son œuvre L’Esthétique de la poésie lyrique (1937), essaie de fournir un milieu conceptuel favorable à ses propres contributions dans le domaine de la généricité littéraire et, plus largement, de l’esthétique. La vue diachronique qu’il propose – depuis Platon et Aristote jusqu’au premiers décennies du XXe siècle – est fortement marquée (voire « viciée ») par l’intention de promouvoir un produit nouveau dans le discours sur les genres littéraires, c’est-à-dire la triade composée par les éléments sympathétique (correspondant au lyrique), démoniaque-équilibré (correspondant à l’épique) et démoniaque expansif (correspondant au drame). Le souci pour son système (qui va inclure une typologie des artistes créateurs,…