👤Author Name: Cristina Rotaru 📄Article Citation Recommendation: ROTARU, Cristina. „Tipologii feminine în dramaturgia lui Romulus Guga”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 293-301.Titlul: TIPOLOGII FEMININE ÎN DRAMATURGIA LUI ROMULUS GUGATitle: FEMININE TYPOLOGIES IN THE PLAYS OF ROMULUS GUGA Pages: 293-301Language: RomanianURL: https://ritl.ro/pdf/2014/18_C_Rotaru.pdf Abstract: The analytical approach, focusing on the plays of Romulus Guga, aims to make a constructive distinction between the male and female discourse, not mainly for gender-specific reasons, but in order to identify a dramatic vision in which the female character plays the role of outlet for feelings of frustration, rebellion or obedience, that can be reproached not to feminine stances which became roles, but to the authorial consciousness. The identified typologies are designed archetypally and therefore I looked for their roots in theatrical solutions that stem from the Greek Antiquity, going through the Commedia Dell’arte and connect to the expressionist model of character development. Masks of the ego, female characters, all these are tuning forks that allow the voice deep down to take the shape of the word, designed as a poetic message and sent from the creator to the audience with whom it cohabitates in a moral ambiguity that is specific to…

👤Author Name: Gabriela DanțișAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: DANȚIȘ, Gabriela. „Un scriitor puţin cunoscut: I. Igiroșianu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 285-291.Titlul: UN SCRIITOR PUŢIN CUNOSCUT: I. IGIROȘIANUTitre: UN ÉCRIVAIN PEU CONNU: I. IGIROȘEANUPages: 285-291Language: RomanianURL: https://ritl.ro/pdf/2014/17_G_Dantis.pdf Résumé: L’article met en valeur l’activité de l’écrivain I. Igiroșianu, prosateur, excellent mémorialiste et traducteur. De lui a resté le « roman à tiroir » Firul Ariadnei (Le fil d’Ariadne), publié seulement en 1993 (couronné avec le Prix « Lucian Blaga » de l’Académie Roumaine en 1996), l’action duquel a lieu dans le monde diplomatique, dans l’ambiance de la période de l’entre deux-guerres au Palais des Nations de Genève, nommé ailleurs le « Palais d’Ariadne ». On peut lire supplémentairement les deux volumes de ses mémoires, Clepsidra amurgului. Evocări marginale (La clepsydre du crépuscule. Évocations marginales) (1976) et Fărâme de la un festin (Miettes d’un festin) (1991), riche galerie de personnages que l’auteur a connue, parmi les plus importants du dernier siècle: Nicolae Titulescu, Marthe Bibesco et son cousin, le prince Antoine Bibesco, ses amis Henry de Montherlant et Paul Claudel, Marie Kasterska-Sergescu et plusieurs d’autres. La perspective…

👤Author Name: Alexandru FarcașAffiliation: Institutul de Istorie şi Teorie Literară ,,G. Călinescu” al Academiei Române 📄Article Citation Recommendation: FARCAȘ, Alexandru. „Mahala și periferie în romanul interbelic”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 271-283.Titlul: MAHALA ȘI PERIFERIE ÎN ROMANUL INTERBELICTitle: SLUM AND PERIPHERY IN THE INTERWAR NOVELPages: 271-283Language: RomanianURL: https://ritl.ro/pdf/2014/16_A_Farcas.pdf Abstract: The article is focused on the theoretical distinguo between “slum” and “periphery”, as well as on the representations of these socio-cultural concepts in the Romanian interwar fiction. On the one hand, we should keep in mind that, since the end of the 19th c., the “slum” is imagined both psychologically, as a state of mind, and geo-sociologically, as an earlier stage in the development of Bucharest’s suburban areas. Following in I.L. Caragiale’s footsteps, the “slum” was depicted by such novelists as Mihai Celerianu, Damian Stănoiu, or Gib Mihăescu. On the other hand, the “periphery” represents a space newly created due to the expansion of the city, during industrialization. The social report was the non-literary genre which informed the realist fiction depicting this space and its specific social issues. George Mihail Zamfirescu, Carol Ardeleanu or Constantin Barcaroiu were the most significant novelists who dealt with this topos….

👤Author Name: Daniela MoldoveanuAffiliation: Universitatea „Lucian Blaga” din Sibiu 📄Article Citation Recommendation: MOLDOVEANU, Daniela. „Evanghelia apocrifă a Martei Petreu: identităţi elective – corporalitate afectivă”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 255-269.Titlul: EVANGHELIA APOCRIFĂ A MARTEI PETREU: IDENTITĂŢI ELECTIVE – CORPORALITATE AFECTIVĂTitle: THE APOCRYPHAL GOSPEL OF MARTA PETREU: ELECTIVE IDENTITIES – AFFECTIVE CORPORALITYPages: 255-269Language: RomanianURL: https://ritl.ro/pdf/2014/15_D_Moldoveanu.pdf Abstract: The poetic imagery of Marta Petreu’s overcrowds the world of her verse with death visions and captures and, at the same time, points out to second degree, intellectualized states of mind which are meant not to reveal the pure emotion of the poet, but represent the processing of this emotion into the melting pot-brain of the poem. Her poems intend to be both authentic and concept-based. Desperation, fury, curses, physical and psychological pain, obsession, hysteria, all of these represent the state of mind the reader adopts. And this happens mainly because Marta Petreu proves to be a skilled, self-centered orchestrator of inner degradation. The concept is Marta Petreu’s ontological space where she isolates herself looking for semantic and linguistic uniqueness among other feminine Romanian voices of her generation. For her, even the ever searched for, analyzed, classified love remains deeply…

👤Author Name: Raluca DunăAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: DUNĂ, Raluca. „Imaginaţie, memorie, (re)lectură, în opera lui Matei Călinescu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 247-253Titlul: IMAGINAŢIE, MEMORIE, (RE)LECTURĂ, ÎN OPERA LUI MATEI CĂLINESCUTitle: IMAGINATION, MEMORY, (RE)READING, IN THE WORKS OF MATEI CĂLINESCUPages: 247-253Language: RomanianURL: https://ritl.ro/pdf/2014/14_R_Duna.pdf Abstract: This article explores the very diverse works of the Romanian critic, poet and novelist Matei Călinescu, focusing on the importance of the author’s imagination, conceived as a major principle in his critical or artistic writing. The autobiographical project that encompasses his whole work is governed by this creative principle, whose importance seems to have been recognized first by the great Romanian exile Mircea Eliade, who is seen in this article as a kind of a paternal and mythical figure for the Romanian exile. The return to the maternal language and to fiction is perceived, in this sense, as the return to a Romanian paradoxical identity. The article describes the relationship between critical interpretation, personal memory and bookish imagination, analyzing a few fragments from the Romanian edition of the volume (Re)reading. Keywords: imagination, memory, (re)reading, autobiographical project, cultural identity.

👤Author Name: Simona GalațchiAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: GALAȚCHI, Simona. „Fața nevăzută a Elenei Drăgănescu”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 221-245Titlul: FAȚA NEVĂZUTĂ A ELENEI DRĂGĂNESCUTitle: THE UNKNOWN FACE OF ELENA DRĂGĂNESCU Pages: 221-245Language: RomanianURL: https://ritl.ro/pdf/2014/13_S_Galatchi.pdf Abstract: This article sets out to reveal unseen, so far, aspects of a highly appreciated character of Hortensia Papadat-Bengescu, Elena Drăgănescu. The unexpected angles of this character are brought up to the surface by the means of the psychoanalytical method applied on the facts that appear all along the Hallipa’s Cycle novels and in the novel The Stranger. The article is structured in two sections: the first section introduces readers to the story of Elena Drăgănescu such as it is perceived by other characters and by the writer herself; the second section diagnoses this character and draws conclusions on her psychological complexes, on her ranging in the typology of C. G. Jung and Otto Rank while analyzing her drives based on Sigmund Freud’s, Alfred Adler’s and Jacques Lacan’s psychoanalytical visions. Keywords (translated): Elena Drăgănescu, Hortensia Papadat-Bengescu, Hallipa’s Cycle, psychoanalysis, analytical psychology, psychological complexes. Bibliography: Papadat-Bengescu, Hortensia, Opere, vol. I,…

👤Author Name: Teodora DumitruAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române. 📄Article Citation Recommendation: DUMITRU, Teodora. ”Sistema genurilor după Liviu Rusu. Mizele unei «priviri istorice»”.In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 195-220.Titlul: SISTEMA GENURILOR DUPĂ LIVIU RUSU. MIZELE UNEI „PRIVIRI ISTORICE”Titre: LE SYSTÈME DES GENRES, SELON LIVIU RUSU. LES ENJEUX D’UN « REGARD HISTORIQUE »Mots-clés: genres littéraires, généricité, lyrisme, épopée, drame, Liviu Rusu, Goethe, Hegel, Benedetto Croce, Gérard Genette.Pages: 195-220Language: RomanianURL: https://ritl.ro/pdf/2014/12_T_Dumitru.pdf Résumé: Cet essai porte sur la démarche historiographique par laquelle l’esthéticien Liviu Rusu, dans le premier chapitre de son œuvre L’Esthétique de la poésie lyrique (1937), essaie de fournir un milieu conceptuel favorable à ses propres contributions dans le domaine de la généricité littéraire et, plus largement, de l’esthétique. La vue diachronique qu’il propose – depuis Platon et Aristote jusqu’au premiers décennies du XXe siècle – est fortement marquée (voire « viciée ») par l’intention de promouvoir un produit nouveau dans le discours sur les genres littéraires, c’est-à-dire la triade composée par les éléments sympathétique (correspondant au lyrique), démoniaque-équilibré (correspondant à l’épique) et démoniaque expansif (correspondant au drame). Le souci pour son système (qui va inclure une typologie des artistes créateurs,…

👤Author Name: Mihai IovănelAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române 📄Article Citation Recommendation: IOVĂNEL, Mihai. „Cele două liste (un comentariu la Două loturi de I.L. Caragiale)”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 181-193.Titlul: CELE DOUĂ LISTE (UN COMENTARIU LA DOUĂ LOTURI DE I.L. CARAGIALE)Title: THE TWO LISTS (A COMMENTARY ON TWO LOTTERY TICKETS BY I.L. CARAGIALE)Pages: 181-193Language: RomanianURL: https://ritl.ro/pdf/2014/11_M_Iovanel.pdf Abstract: In this essay I reread Două loturi, a classical text of I.L. Caragiale, trying to elucidate themeaning of its paradoxical ending by explaining the ideological and economical implications of thelottery topic used by Caragiale in relation to such notions as chance or bad luck. Keywords: I.L. Caragiale, Anti-Semitism, C. Dobrogeanu-Gherea, Henri Bergson, lottery, 19th century.

👤Author Name: Carmen BrăgaruAffiliation: Institutul de Istorie şi Teorie Literară „G. Călinescu” al Academiei Române. 📄Article Citation Recommendation: BRĂGARU, Carmen. „Bibliografia relaţiilor literaturii române cu literaturile străine în periodice”. In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 153-179.Titlul: BIBLIOGRAFIA RELAŢIILOR LITERATURII ROMÂNE CU LITERATURILE STRĂINE ÎN PERIODICETitle: THE BIBLIOGRAPHY OF THE ROMANIAN LITERATURE’S RELATIONS WITH THE FOREIGN LITERATURES IN THE PERIODICAL PUBLICATIONSPages: 153-179Language: RomanianURL: https://ritl.ro/pdf/2014/10_C_Bragaru.pdf Abstract: The present study is a survey of one of the oldest, longest and most thorough projects ran over the years in “G. Călinescu” Institute of Literary History and Theory of the Romanian Academy. Bearing the title Bibliografia relaţiilor literaturii române cu literaturile străine în periodice (The Bibliography Regarding the Relations Between the Romanian Literature and the Literatures of the World in Periodical Publications), the project has arrived at the third series. The first one gathering three volumes published during the ’80s covers the period between 1859 and 1918, the second one gathering 10 volumes published in the late ’90s and the beginning of the 2000s covers the period between 1919 and 1944, while the work on the third series focused on the period between 1945 and 1964 is in progress. The first…

👤Author Name: Mihaela Pappu 📄Article Citation Recommendation: PAPPU, Mihaela. Lucian Blaga şi corespondenţii săi germani. cercul elveţian (I).In: RITL, New Series, VIII, No. 1-4, January-December 2014, p. 77-110.Titlul: LUCIAN BLAGA ŞI CORESPONDENŢII SĂI GERMANI. CERCUL ELVEŢIAN (I)Title: LUCIAN BLAGA AND HIS GERMAN CORRESPONDENTS. THE SWISS CIRCLE (I)Pages: 77-110Language: RomanianURL: https://ritl.ro/pdf/2014/5_M_Pappu.pdf Zusammenfassung: Erstens, berücksichtigt die bevorstehende Arbeit, betitelt „Der deutschsprachige Briefwechsel im Lucian-Blaga-Fonds des Nationalmuseeums für rumänische Literatur”, das verfügbare Archivmaterial bloβ vom Standpunkt der Verfassungssprache aus und verbleibt zugleich als die erste philologische Forschung welche diesen gar übergelesenen Abschnitt der Korrespondenz behandelt und bearbeitet. Um eine aufrichtige und zugängige Übersicht auf die Mannigfaltigkeit des Versands zu gewinnen, gilt es eine thematische und geographisch bedingte Einteilung zu fällen, in dem man die Absender (private od. amtliche) alphabetisch anordnet und deren Briefsammlung chronologisch anreiht, um eine zusammenfassende und ebenso beziehungsfreundliche Beschreibung zu erzielen. Die zehnjährige Anwesenheit (1928–1937) von Lucian Blaga im deutschen Sprachraum (in der Schweiz und in Österreich) als Presseattaché in den rumänischen Gesandtschaften begünstigte die Entstehung eines privaten, amtlichen und kulturellen Beziehungsnetzes, was auch im Schreiben dargelegt bleibt. In diesem Sinn können wir über einen wahren „Schweizer Zirkel” sprechen, über eine Beziehung mit Presse- u. Kulturbehörde aus Deutschland, Österreich, Schweiz,…